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No tears required: Mexico's youth triumphs in Rossini's Stabat Mater at Cervantino

By James Imam, 16 October 2016
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Reviewed at Templo de la Compañía, Guanajuato on 14 October 2016
Programme
Messiaen, Les Offrandes oubliées
Rossini, Stabat Mater
Performers
Jesus Almanza Castillo, Conductor
Gabriela Herrera, Soprano
Amelia Sierra, Mezzo-soprano
Edgar Villalva Arreola, Tenor
José Luis Reynoso, Bass
Coro Juvenil del Conservatorio de Música de Celaya
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Vishnu Bachani, 23rd April
Con un impresionante grupo de músicos y diseñadores, esta producción de Parsifal del Teatro del Bicentenario Roberto Plasencia Saldaña dejó una fuerte impresión como estreno nacional de la última obra de Wagner.
****1
Orchestre de la Suisse Romande and Buniatishvili in Hamburg
Mengguang Huang, 24th March

Jonathan Nott and the OSR bring surgical precision to Debussy’s vivid sketches, while Khatia Buniatishvili’s Brahms evokes the soulful, improvisational warmth of a pre-war piano legend at the Elbphilharmonie. 

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Donald Nally’s much vaunted chamber choir The Crossing give a program of three New York premieres at Zankel Hall. 
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Guitars, electronics and ancient treatises: the JACK Quartet at 92NY
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Kristiina Poska makes an exciting return to conduct the RSNO
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Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.
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Read reviews of
Gioachino RossiniJosé Luis ReynosoLes Offrandes oubliéesOlivier MessiaenStabat Mater
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.