On Saturday night, the Brooklyn Academy of Music’s Fishman Space was the perfect location to recuperate from a stressful week. Unassigned seating, including piles of black pillows, lined all four walls of the space, with Mantra Percussion’s set-up in the center. This set-up consisted of six elevated two-by-fours arranged in a hexagon.
Guest conductor Riccardo Minasi leads the West Australian Symphony Orchestra with a program of old favourites, with outstanding contribution from trumpeter Jenna Smith
Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.
The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.
Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.
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