On Saturday night, the Brooklyn Academy of Music’s Fishman Space was the perfect location to recuperate from a stressful week. Unassigned seating, including piles of black pillows, lined all four walls of the space, with Mantra Percussion’s set-up in the center. This set-up consisted of six elevated two-by-fours arranged in a hexagon.
The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.
Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.
Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.
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