Top-notch contemporary ballet from The Royal Ballet's new trinity of modern choreographers

By Hanna Weibye, 06 November 2012

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Reviewed at Royal Opera House, Covent Garden, London on 3 November 2012

Viscera (Liam Scarlett)

Infra (Wayne McGregor)

Fool's Paradise (Christopher Wheeldon)

The Royal Ballet

London City Ballet’s Momentum: a scintillating mix of old and new

Amanda Jennings, 13th September

Christopher Marney has once again brought together a group of outstanding dancers, superb coaches and brilliant choreography to produce an evening of thoroughly absorbing dance.

*****

Scarlett’s Frankenstein returns to the San Francisco Ballet stage

Terez Rose, 20th March

Seeing Frankenstein in its 2025 incarnation feels worthy and redemptive. It’s as vivid and cinematic as ballet gets.

****1

Drawing from tradition but not in thrall to it: London City Ballet

Carla Escoda, 17th September

While most in the audience at New York's Joyce Theater might not have known the original London City Ballet, their affection was palpable at the close of this program.

****1

Swan Lake: double debuts at the Royal Ballet

Amanda Jennings, 11th May

Two very impressive debuts in the lead roles of Liam Scarlett's Swan Lake with The Royal Ballet, bodes well for the futures of Mariko Sasaki and Joseph Sissens.

****1

Queensland Ballet's Dream: pretty fairytale or dark drama?

Ruth Ridgway, 12th April

The music shimmers and the dancers shine in this twisted tale, a comic ballet but with dark undertones.

***11

The Royal Ballet's Swan Lake offers much to admire

Graham Watts, 6th March

Visually splendid, Liam Scarlett's Swan Lake showcases some wonderful dancing, but there is still room for improvement.

****1

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Hanna Weibye

Hanna is a historian at King's College, Cambridge. She is currently completing a biography of Friedrich Ludwig Jahn, the inventor of German gymnastics ('Turnen'). She has produced, danced in and choreographed for ballet and contemporary shows in Cambridge. Follow her on twitter @hweibye.