La Passion de Simone: more a love letter than a portrait

By Mark Valencia, 01 June 2017

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“Saariaho’s score is a thing of beauty and imagination”

Reviewed at Cornerteateret, Bergen on 31 May 2017

Saariaho, La Passion de Simone, oratorio

Clément Mao-Takacs, Conductor

Pauline Squelbut, Set Designer

Liisa Nieminen, Costume Designer

Sayuri Araida, Soprano

Sandra Darcel, Soprano

Marianne Seleskovitch, Mezzo-soprano

Johan Viau, Tenor

Romain Dayez, Bass-baritone

Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen

Mengguang Huang, 26th April

Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom.

**111

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Lepage’s Bluebeard and Erwartung pairing remains compelling theatre

John Gilks, 25th April

Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.

*****

Trojan’s Carousel: a magical night of dreams come true in Prague

Frank Kuznik, 23rd April

A vintage opera at the National Theatre offers charming adventures for children and musical sophistication for adults.

*****

A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia

Cameron Kelsall, 22nd April

A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.

**111

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.