Two evenings of live dance and a full program of dance films from young choreographers yielded much to admire and be amused by at the Future Dance Festival 2026.
Stuttgart Ballet has a long tradition of promoting new choreography, and in this spirit the first programme for its visit to Sadler’s Wells included thirteen brief choreographies, all specially made for the company.
Dan Canham’s Wild Card at Sadler’s Wells meandered through an interesting progression of folk dancing, artistic musings and charming traditions, and I came away with a smile and a lot to think about. This evening was part of a series of three performances in the Lillian Baylis Studio Theatre, which aims to give chosen artists a night to share their work, inspirations and ambitions.
It would be hard to find someone who has not heard of Anna Pavlova. The name alone conjures up words such as elegant, visionary, iconic. Her acclaim results from a career in ballet spanning over 30 years, in which she had a tremendous influence over the world of classical dance and earned her place as one of the finest Russian ballerinas in history.
Erin Johnson is a postgraduate student at London Contemporary Dance School, and an avid writer. She holds two bachelor degrees from the University of Washington, one in journalism and the other in dance.
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