Green-eyed miracle: Salieri’s The School of Jealousy

Bampton’s “mission to rescue unjustly neglected classical period opera” is vindicated once again with a fresh, fun account of the near-lost original source for Rossini's La Cenerentola: Isouard's Cendrillon. 

Two little-known 18th-century operas are given inventive new productions featuring some promising young singers.

This small, fun, fast-paced comedy, probably the UK première of Salieri's neglected fairytale, makes for a glorious garden opera evening at Bampton (and touring). 

A beautiful evening of rare and royal music by Gluck, in the year of his 300th anniversary, and even an even rarer setting of Orfeo by Bertoni: it was just a pity we couldn't follow all the words, as well as all the notes, at St John's Smith Square.

Bampton Classical Opera is a company dedicated to performing rarely-performed 18th-century operas, and every summer they stage a new production with a cast of young and upcoming singers at their base in Bampton in Oxfordshire. This year’s production was a double-bill of French opéras comiques by Philidor and Grétry, which they brought to London’s St John’s Smith Square last week.

Bampton’s “mission to rescue unjustly neglected classical period opera” is vindicated once again with a fresh, fun account of the near-lost original source for Rossini's La Cenerentola: Isouard's Cendrillon.