Bachtrack logo
What's on
All eventsConcertsOperaDanceKids eventsMasterclassesCompetitionsFestivals
Reviews
All reviewsConcert reviewsOpera reviewsDance reviews
Articles
All articlesFeaturesInterviewsOpinionPlaylists
News
Video
Video homeAll videoStreamed eventsConcertsOperaDanceKids eventsMasterclassesPublishers
Site
About usContact usLink to usConditions of useCookiesPrivacy
Young artists
Travel
EventsReviewsArticlesVideo

San Francisco Ballet’s Program 4 is a must see for Balanchine fans

By Jaime Robles, 09 March 2017
Loading, please wait...
See full listing
“three exemplary pieces”
Reviewed at War Memorial Opera House, San Francisco on 7 March 2017
Programme
Stravinsky Violin Concerto (George Balanchine)
The Prodigal Son (George Balanchine)
Diamonds (George Balanchine)
Performers
San Francisco Ballet
More Dance reviews
Ballet for cowboys and soldiers at Kansas City Ballet
Hilary Stroh, 20th March
Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.
****1
American Ballet Theatre's double bill is short and sweet in New York
Ivy Lin, 15th March
American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.
****1
A spectacular triple bill lifts ABT’s spring season in New York
Leigh Donlan, 13th March
A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.
****1
Understatement and spectacle at New York City Ballet
Carla Escoda, 26th February
Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter. 
*****
Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success
Vikki Jane Vile, 22nd February
All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography. 
***11
Study in Scarlet: Rubies crown Balanchine’s Jewels in Vienna
Mark Pullinger, 8th February
With a trio of excellent performances, Balanchine's sassy Rubies proves the hit as Jewels – a relatively recent acquisition – returns to the Wiener Staatsballett. 
****1
More reviews...
Read reviews of
DiamondsGeorge BalanchineIgor StravinskyPyotr Ilyich TchaikovskySan Francisco BalletSergei ProkofievStravinsky Violin ConcertoThe Prodigal Son
Related articles
Loading image...
Traces and scratches: the magical world of composers’ handwriting
Loading image...
Ten unmissable full-length world premieres for the 2025–26 dance season
Loading image...
Dreams of Greece: Ravel’s first ballet Daphnis et Chloé
Loading image...
Symphonic metamorphoses: Tokyo Philharmonic in 2025
More by Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
Alonzo King's LINES Ballet takes a walk on the wild side
The solace of love in San Francisco Ballet’s Program 5: Lyric Voices
Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.