Michael Schade seduces and sways

By Jenny Camilleri, 06 November 2014

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Reviewed at Concertgebouw: Recital Hall, Amsterdam on 4 November 2014

Mozart, Das Veilchen, K476

Mozart, An Chloe, K524

Mozart, Song, "Komm, liebe Zither", K351 (K367b)

Mozart, Das Lied der Trennung, K519

Schubert, Adelaide (Matthisson), D.95

Schubert, Täglich zu singen (Claudius), D.533

Schubert, An eine Quelle (Claudius), D.530

Schubert, Der Jüngling an der Quelle (Salis-Seewis), D.300

Schubert, Der Blumenbrief (Schreiber), D.622

Schubert, Ganymed (Goethe), D.544

Mozart, Cantata, "Die ihr des unermeßlichen Weltalls", K619

Strauss R., Sechs Lieder aus Lotosblätter, Op. 19

Brahms, An eine Aeolsharfe (To an Aeolian Harp), Op.19 no.5

Brahms, Lerchengesang (Song of the Larks), Op.70 no.2

Brahms, Heimweh II (Homesickness II), Op.63 no.8

Brahms, Auf dem See (On the Lake), Op.106 no.2

Strauss R., Frühlingsgedränge, Op.26 no.1

Strauss R., Ach Lieb, ich muss nun scheiden, Op.21 no.3

Strauss R., Morgen! Op.27 no.4

Strauss R., Nichts, Op.10 no.2

Strauss R., Zueignung (Dedication), Op.10 no.1

Michael Schade, Tenor

Justus Zeyen, Piano

Boesch and Quasthoff dissect the poet's soul

Jenny Camilleri, 23rd February

In an engrossing all-Heine song and poetry recital, baritone Florian Boesch and actor Thomas Quasthoff probed the amorous Sorrows of Young Heinrich.

****1

Michael Schade and Justus Zeyen in Vienna

Chanda VanderHart, 13th February

Michael Schade and Justus Zeyen perform songs by Wolfgang Amadeus Mozart, Ludwig van Beethoven, Joseph Haydn, Josef Marx, Richard Strauss and Hugo Wolf in Vienna's Konzerthaus.

***11

Emoción y empatía en el Winterreise del Ciclo de Lied

David Santana Cañas, 25th January

El dominio de los matices de Florian Boesch y la delicadeza de Justus Zeyen llenan de emoción el Ciclo de Lied del CNDM con el Winterreise de Schubert.

****1

La musicalidad de las palabras

Leonardo Mattana Ereño, 3rd June

El XXV Ciclo de Lied cerró con un programa representativo en lo que a este repertorio se refiere: Schubert, Schumann, Brahms o Wolf, en una velada que se articuló a través de la alternancia de lieder, dúos, melodramas y poesías recitadas con Thomas Quasthoff, Michael Schade y Florian Boesch.

*****

COC triumphs with Kentridge’s brilliantly conceived Wozzeck

John Gilks, 25th April

William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.

*****

Ambur Braid’s Salome sets the Four Seasons Centre alight

John Gilks, 3rd February

Ambur Braid excels in the title role in the Canadian Opera Company’s starrily cast revival of Atom Egoyan's production.

*****

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.

Michael Schade seduces and sways in his Concertgebouw song recital