A Venetian expedition to the Pietà for the OAE

By Mark Pullinger, 18 May 2015

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Reviewed at Smith Square Hall, London on 17 May 2015

Vivaldi, Dixit Dominus, RV 595

Vivaldi, Clarae Stellae Scintillate, RV 625

Vivaldi, In exitu Israel, RV 604

Vivaldi, Nulla in mundo pax sincera, RV 630

Porpora, Laetatus sum

Vivaldi, Violin Concerto in D major, RV582, "Per la Santissima Assontione di Maria Vergine”

Vivaldi, Gloria in D major, RV 589

Schola Pietatis Antonio Vivaldi

Orchestra of the Age of Enlightenment

Kati Debretzeni, Director

Václav Luks and the OAE deliver operatic scale in Haydn’s Creation

Nick Boston, 27th May

The Orchestra of the Age of Enlightenment under Václav Luks are joined by their own choir and strong soloists for a fresh and colourful performance of Haydn’s Die Schöpfung.

****1

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

Brandstrup Breaking Bach with the OAE at EIF

Kathy Elgin, 20th August

Kim Brandstrup choreographs Bach favourites based on hip hop and street dance. Lie back on the bean bags at Usher Hall and enjoy...

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Gut strings and female basses: a Venetian expedition to the Pietà for the OAE