The Fair Maid of the Mill: Toby Spence’s lovelorn miller embodies new translation

Nina Brazier’s production for Ryedale Festival Opera, on tour at Grimeborn, resoundingly succeeds on all levels, giving us an evening of luxurious beauty, abandoned sensuality and superb characterisation.

Harry Christophers brought his Sixteen to Manchester for a night of deeply romantic choral music at The Bridgewater Hall. Brahms’ Deutsches Requiem was a foreseeable success, but the seldom-heard Vocal Quartets, settings of Sternau, Schiller, Daumer and Goethe, were a delightful addition to the programme.The first set of Brahms quartets, Op.

On Sunday afternoon the most recent recipient of the prestigious Kathleen Ferrier Award, Kitty Whately, was welcomed to the Clothworkers’ Hall by Leeds Lieder, an organisation founded in the hope of introducing art song to a new audience.

Au Voces8 Centre, la célèbre soprano entraîne son auditoire dans un voyage de toute beauté, allant de la poésie mystique médiévale aux chants de l’holocauste.

Ireland’s first Wagner opera in over a decade dazzles with a captivating production by Rachael Hewer for Irish National Opera. 

Terfel's performance as the legendary sailor is stronger than ever and, one or two issues aside, this revival of Tim Albery's production is a compelling account of Wagner's first mature work.