A relentlessly dark Don Carlo at the Dresden Semperoper

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

Emerging from different incarnations of Leah Purcell’s play, George Palmer’s opera develops traditional Dreaming elements from Aboriginal mythology, premiering in Brisbane. 

Riccardo Chailly’s final new production as artistic director is a celebration of Verdi and of a conductor whose relationship with the Milanese audience has clearly deepened over the years.

The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.

In Helsinki, Antony McDonald pairs Tchaikovsky’s Iolanta with a staged version of Sibelius’ tone poem Luonnotar, brilliantly voiced by soprano Silja Aalto.

With Aigul Akhmetshina and Seokjong Baek in the title roles, there are reasons to be optimistic, but The Royal Opera’s revival of Richard Jones’ production is a mixed bag.