Gil Shaham and Stéphane Denève offer insights into Bartók and Rachmaninov

By Alan Yu, 27 April 2014

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“Gil Shaham’s versatility was on full display here... melodic charm, shrieking agitation”

Reviewed at Walt Disney Concert Hall, Los Angeles on 25 April 2014

Bartók, Violin Concerto no. 2, Sz 112

Rachmaninov, Symphony no. 2 in E minor, Op.27

Los Angeles Philharmonic

Stéphane Denève, Conductor

Gil Shaham, Violin

LA Phil celebrates the California spirit with Andrés Orozco-Estrada

Cameron Kelsall, 3rd May

The program features Maria Dueñas in Korngold's Violin Concerto and a moving tribute to LA native Michael Tilson Thomas

****1

A cerebral bacchanalia: Young's bold, brainy Messiaen at Disney Hall

Néstor Castiglione, 10th April

Simone Young's take on Messiaen's Turangalîla with the Los Angeles Philharmonic proves a night to remember.

*****

Dudamel and Catalan choirs dazzle in Beethoven’s Missa solemnis

Néstor Castiglione, 20th February

In Los Angeles, Gustavo Dudamel conducts Beethoven's Missa solemnis for the first time... and it proves worth the wait.

*****

Shock, spectacle and endurance: Yuja Wang and Thomas Adès at full tilt

Laurence Vittes, 8th February

If Prokofiev’s original intention in his Second Piano Concerto was shock and awe, Yuja Wang gives exactly the right performance with the Los Angeles Philharmonic.

***11

John Adams leads Americana, past and present, with LA Phil

Néstor Castiglione, 23rd January

Compelling as a composer and conductor, Adams restored Roy Harris' Third Symphony to the Los Angeles repertoire, alongside one of his most recent works.

*****

Salonen and the LA Philharmonic take on the forces of nature

Néstor Castiglione, 9th January

Reflections of nature and humanity's place within it in Salonen's 2026 return

****1

More reviews...

Alan Yu

The first concert Alan attended was Mahler’s Das Lied von der Erde. For 7 years he presented classical music programmes for Radio Television Hong Kong, partly to pay his way through university. He attends concerts whenever he can and believes there is no substitute for the thrill of live performances. He writes here.