Sharon Eyal returns to Sadler's Wells as new Associate Artist

By Philippa Newis, 15 July 2018

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“like watching origami ... wafer limbs fold and unfurl with delicacy and knife-edge precision”

Reviewed at Sadler's Wells Theatre, London on 13 July 2018

Love Chapter 2 (Sharon Eyal)

L-E-V

Mariko Kakizaki, Dancer

Gon Biran, Dancer

Sharon Eyal’s Into the Hairy at Sadler’s Wells

Deborah Weiss, 13th November

Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.

***11

Sharon Eyal and Gail Behar's R.o.s.e: innovative, but disappointing

Graham Watts, 10th July

R.o.s.e is an immersive experience of a performance within a rave – not the most enjoyable way to appreciate the professional dancers.

**111

Norwegian National Ballet's Dialogues II: brief but brilliant

Graham Watts, 3rd April

A brief but excellent programme of five duets showcased on the main stage of the Den Norske Opera.

***11

Love, humour and drama at the Staatsballett Berlin

Vikki Jane Vile, 15th November

Staatsballett Berlin continue its run of this popular double bill, 2 Chapters Love, named after Sharon Eyal’s work and a follow up to 2017’s to Love Chapter 2.

****1

Flickers of human fragility: Staatsballett Berlin’s superb double bill

Katja Vaghi, 28th October

Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.

****1

Les Ballets de Monte-Carlo dazzle in a new triple bill

Deborah Weiss, 24th April

Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

****1

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Philippa Newis

Philippa Newis has a Masters degree in Dance. She works as a conciliator specialising in industrial relations. She is passionate about increasing participation in dance and has a strong interest in writing about emerging dance artists and choreographers.