Shobana Jeyasingh sets off 25th Anniversary Celebration with Classic Cut at the Royal Opera House

By Erin Johnson, 17 March 2012

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Reviewed at Royal Opera House: Linbury Theatre, London on 14 March 2012

Configurations (ROH Commission)

Dev Kahn Hai? / Where is Dev?

Shobana Jeyasingh Dance

Northern Ballet’s Gentleman Jack: brave but bland at Sadler’s Wells

Jonathan Gray, 19th May

A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.

***11

BalletBoyz: Still Pointless at 25 and still making it work!

Maggie Foyer, 13th May

The BalletBoyz present an entertaining programme of old and new works spanning the last 25 years – with stellar performances.

****1

Tulsa Ballet at the Linbury: an unforgettable, punchy UK debut

Deborah Weiss, 13th May

A stupendous London debut from Tulsa Ballet in which they present a contrasting triple bill. It bodes well for further invitations to dance in the UK.

*****

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Carla Escoda, 13th May

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.

*****

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Ivy Lin, 9th May

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

***11

A Streetcar Named Desire: a gripping retelling at Ballett am Rhein

Vikki Jane Vile, 8th May

Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

****1

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Erin Johnson

Erin Johnson is a postgraduate student at London Contemporary Dance School, and an avid writer. She holds two bachelor degrees from the University of Washington, one in journalism and the other in dance.