Isserlis and Melnikov bring Russian intensity to Wigmore Hall

By Mark Thomas, 22 February 2018

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“the sardonic bite and bounce of the finale was dished out as witty tongue-in-cheek sniping”

Reviewed at Wigmore Hall, London on 21 February 2018

Shostakovich, Cello Sonata in D minor, Op.40

Pletnev, Cello Sonata

Kissin, Cello Sonata

Rachmaninov, Cello Sonata in G minor, Op.19

Scriabin, Romance in A minor for horn and piano, WoO 21 (arr. for cello)

Steven Isserlis, Cello

Alexander Melnikov, Piano

Bach sheds light in an impressively dark outing from the ACO

Nick Boston, 21st March

Energetic commitment from the ACO at the Barbican, with precision and edge from Alexander Melnikov and Jeroen Berwaerts in an evening of darkness and light.

****1

Energetic Scottish Symphony lifts a weighty evening with the LPO

Nick Boston, 20th January

Ponomarchuk and the LPO raise the spirits in Felix Mendelssohn's Scottish Symphony after an underwhelming first half at the Brighton Dome.

***11

Aimez-vous Rachmaninov? Alexander Melnikov at Musikfest Berlin

Elena Luporini, 27th August

Russian pianist Alexander Melnikov is joined on stage at the Philharmonie by Alexander Rudin, Nadezhda Pavlova and Olga Pashchenko to give the audience a taste of Rachmaninov's chamber repertoire.

****1

Mixed performances in Ligeti and Mozart from Les Siècles

David Truslove, 20th August

Three concertos and a symphony made for an unusual but generous programme, but Les Siècles illustrate that versatility can come with mixed blessings.

***11

Prom 19: From dawn to death with Thomas Dausgaard and the BBCSSO

Leighton Jones, 2nd August

Strauss’ Also sprach Zarathustra fills the Royal Albert Hall, while Schumann’s piano concerto is followed by MacMillan’s masterpiece The Confession of Isobel Gowdie.

****1

Melnikov and Staier bring intimacy and fresh edge to Schubert

Nick Boston, 10th January

Alexander Melnikov and Andreas Staier's sensitive and insightful performances, combined with the fortepiano's freshness and added edge, make for a special evening of Schubert.

*****

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Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).

Steven Isserlis and Alexander Melnikov bring Russian intensity to Wigmore Hall