Fire and ice: striking Sibelius and stunning Hillborg

By Mark Thomas, 30 November 2017

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“masterful, committed, dream-like and sometimes nightmarish with fiery aggression”

Reviewed at Barbican Hall, London on 29 November 2017

Sibelius, Symphony no. 6 in D minor, Op.104

Hillborg, Violin Concerto No.2

Bach, Ich ruf zu Dir, Herr Jesu Christ - chorale, BWV1124 (Arr Hillborg)

Sibelius, Symphony no. 4 in A minor, Op.63

BBC Symphony Orchestra

Sakari Oramo, Conductor

Lisa Batiashvili, Violin

Sakari Oramo and Yeol Eum Son summon up vivid landscapes

Christopher Woodley, 13th March

Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.

****1

From snow to sludge: Icelandic music at the Barbican Centre

Marat Ingeldeev, 22nd February

A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.

**111

Fine Lindberg and Stravinsky double bill from the BBC Symphony

Roy Westbrook, 6th February

After a performance of Magnus Lindberg’s First Violin Concerto by Lisa Batiashvili at the Barbican, Stravinsky’s Perséphone stands the test of time.

****1

UK premiere of Julia Wolfe’s unEarth impresses on scale, not substance

Susannah Moody, 23rd January

Wolfe's climate-change oratorio, performed by the BBC Symphony Orchestra, already feels out of date.

**111

Sir James MacMillan delights with his Christmas Oratorio

David Karlin, 19th December

MacMillan's large scale choral work offers a rich variety of texts and musical ideas, the composer conducts the BBC Symphony with unerring precision.

*****

Ermonela Jaho gives a tragic twist to Puccini's La rondine

Peter Quantrill, 5th December

A new edition of Puccini's score springs to life in a meticulously prepared Opera Rara concert performance at the Barbican.

****1

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Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).

Fire and ice: striking Sibelius and stunning Hillborg from Oramo, Batiashvili and the BBCSO