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Assured Slatkin takes us on an emotionally compelling journey with the Hong Kong Phil

By Dr. Anton D. Luiten, 06 April 2019
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“a moving tapestry of interconnected lines, a richness of sonority”
Reviewed at Hong Kong Cultural Centre: Concert Hall, Hong Kong on 5 April 2019
Programme
Rouse, The Infernal Machine
Barber, Adagio for Strings, Op.11
Bernstein, Chichester Psalms
Tchaikovsky, Symphony no. 5 in E minor, Op.64
Performers
Leonard Slatkin, Conductor
Hong Kong Philharmonic Orchestra
Eton College Chapel Choir
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Hong Kong Philharmonic offer precision and poise in Seoul
SangKwon Lee, 19th October
Two contemporary works pave the way for a big Tchaikovsky pairing at the Seoul Arts Center, with Yekwon Sunwoo joining the Hong Kong Philharmonic for the First Piano Concerto. 
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Hong Kong Phil revels in Schoenberg’s beefed-up Brahms
Christopher Halls, 17th October
Led by celebrated Chinese conductor Long Yu, the Hong Kong Philharmonic shines in Schönberg’s bold Brahms “makeover” and features two of their own as soloists in a finely contoured performance of the Double Concerto
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A tokenistic Turandot in Hong Kong
Dr. Anton D. Luiten, 10th October
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A triumphant return to Singapore by the Hong Kong Philharmonic
Chang Tou Liang, 20th February
On its 50th anniversary concert tour, the Hong Kong Philharmonic pulls out all stops in Singapore, joined by star French pianist Alexandre Kantorow. 
*****
Lang Lang sparkles in Hong Kong Beethoven
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Hong Kong Philharmonic packs a punch with Tarmo Peltokoski at the helm
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Memorable Tchaikovsky from Leonidas Kavakos and the Hong Kong Philharmonic is flanked by strong performances of Sibelius and Shostakovich. 
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More reviews...
Read reviews of
Adagio for Strings, Op.11Chichester PsalmsChristopher RouseHong Kong Philharmonic OrchestraLeonard BernsteinLeonard SlatkinPyotr Ilyich TchaikovskySamuel BarberSymphony no. 5 in E minor, Op.64The Infernal Machine
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Dr. Anton D. Luiten
Dr. Anton D. Luiten
Dr. Anton D. Luiten is an educator and music critic. Based in Hong Kong, Dr. Luiten writes on western art concerts and reviews international artists. He also works for the International Baccalaureate as a lead educator, examiner and runs workshops on themes such as critical and creative thinking, and international mindedness. He is passionate about curriculum development, affording opportunities for students to nurture their talents, and educating the public on western art matters of historical significance as well as musical interpretation. His goal is to bring greater understanding and appreciation of music to the widest possible audience.