Opera Project's The Barber of Seville in Bristol

Opera Project’s production of Verdi’s famous and arguably most-loved opera La Traviata was not lacking in impact, considering it was a small-scale production. This being the second time I have seen an Opera Project production, I am certainly not dissuaded from seeing what they come up with next. La Traviata is a chamber opera, in a way, well suited to the smaller venue of St George’s Bristol.

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores. 

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler. 

Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.