Barenboim and the Staatskapelle Berlin spice up their repertoire

By Alexander Hall, 16 May 2019

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“This performance had a rare intimacy, like eavesdropping on the inner workings of the mind.”

Reviewed at Elbphilharmonie: Grand Hall, Hamburg on 15 May 2019

Skalkottas, Little Suite for strings

Mozart, Piano Concerto no. 27 in B flat major, K595

Prokofiev, Alexander Nevsky, Op.78

Anita Rachvelishvili, Mezzo-soprano

Staatsopernchor Berlin

Staatskapelle Berlin

Daniel Barenboim, Piano, Conductor

Subtle magic: Zubin Mehta celebrates his 90th birthday in Berlin

Zenaida des Aubris, 3rd May

Zubin Mehta celebrates his 90th birthday with a concert at the Staatsoper Berlin.

*****

Eyes wide shut for Berlin’s new Ballo

Mark Pullinger, 29th March

At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.

***11

Young stars shine in the Staatsoper Berlin’s Rosenkavalier

Mark Pullinger, 28th March

Patricia Nolz makes an outstanding role debut as Christian Thielemann conducts a thrusting Rosenkavalier to open the Staatsoper Unter den Linden's Festtage.

*****

Love is in the hare: a new Cunning Little Vixen opens in Berlin

Elena Luporini, 28th February

The Staatsoper's new production of Janáček's opera buzzes with life thanks to Sir Simon Rattle's conducting and an excellent cast led by Vera-Lotte Boecker and Magdalena Kožená.

****1

Pintscher’s Das kalte Herz premieres at Staatsoper Unter den Linden

Elena Luporini, 14th January

On a snowy January evening, the premiere of Matthias Pintscher’s new opera Das kalte Herz fails to warm up the Berlin public.

**111

Happy 100th birthday, Wozzeck! Thielemann leads Berlin revival

Elena Luporini, 14th December

The Staatsoper Unter den Linden celebrates the 100th birthday of Alban Berg's masterpiece with a stellar cast in Andrea Breth’s revived production.

***11

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.