A splendid evening of celebration for Sir Peter Wright at the Birmingham Hippodrome focusing on excerpts from his own classical ballets and The Green Table by Kurt Jooss.
An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.
A welcome to Acosta Danza Yunior who have bags of potential. However, not all of the choreography engaged their talents sufficiently in this programme.
The Royal Ballet School performing as part of the Next Generation Festival, offered a host of works by both students and internationally renowned choreographers which proved to be highly enjoyable.
Compañía de Danza Jesús Carmona in UnYdos was a stunning evening of pure flamenco artistry, enlivened by a tremendous sense of theatre, and augurs well for the rest of the festival.
Completely engaging performance of Pina Bausch’s Kontakthof: Echoes of ’78 finds our reviewer disappointed with Music Music from Trajal Harrell in Lugano.
Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.
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