Snow boots on for an exuberant Tchaikovsky 1

By Mark Pullinger, 23 November 2017

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“delivered with sheer unbuttoned joy, the LPO strings hymning exultantly”

Reviewed at Royal Festival Hall, London on 22 November 2017

Bridge, Summer

Prokofiev, Piano Concerto no. 3 in C major, Op.26

Debussy, Pour le piano: Toccata

Tchaikovsky, Symphony no. 1 in G minor "Winter Daydreams", Op.13

Beatrice Rana, Piano

London Philharmonic Orchestra

Michail Jurowski, Conductor

Portraits and pictures from Ibragimova, Gardner and the LPO

Roy Westbrook, 1st April

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.

****1

Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski

Nick Boston, 25th March

Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.

****1

Paavo Järvi marks his new LPO appointment in Tchaikovsky and Sibelius

Mark Valencia, 4th March

Paavo Järvi demonstrates just why the London Philharmonic Orchestra has chosen him as its next Chief Conductor and Artistic Advisor.

*****

Canellakis, Mutter and the LPO at the Elbphilharmonie

Mengguang Huang, 24th February

Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.

****1

Phoenix Lands: the London Philharmonic blazes with energy

Charlotte Gardner, 4th February

Edward Gardner’s Bacewicz, Martinů, Lutosławski and Janáček set the Royal Festival Hall ablaze.

****1

Jurowski and the LPO’s Mahler cycle reaches a momentous climax

Peter Quantrill, 24th January

Retrospection held at bay by the conductor’s unusual choice of Rudolf Barshai's completion to Mahler’s last symphony.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Snow boots on for an exuberant Tchaikovsky 1 from Michail Jurowski and the LPO