Anaïs Nin at Tête à Tête

Directed by Matthew Eberhardt and conducted by Matthew Kofi Waldren, this semi-staging of Bizet's opera is well worth experiencing, despite its weak plot. 

Opera North performed a semi-staged and shortened Fidelio with a committed group of soloists, chorus and orchestra led by Mark Wiggelsworth.  With a pared Orchestra, the opera came across as a hymn of hope.

Opera North brings Kurt Weill's “Broadway opera” Street Scene to the Leeds Grand Theatre in a thrilling production directed by Matthew Eberhardt and conducted by James Holmes.

At the opera’s great climaxes Suffolk’s famous wood-and-brick building could barely contain it.

There’s something pretty special about going to see one of the very first operas ever written. It’s particularly special if you love the rhythms of renaissance dance music, the harmonies of polyphonic choral music and if, as I am, you are an admirer of Claudio Monteverdi’s vocal writing: it’s quite plausible to argue that he remains unmatched in his ability to spin a beautiful vocal thread and wea