Scottish Opera’s double bill of Trial by Jury and the world premiere of Toby Hession’s fun-packed A Matter of Misconduct! features an ensemble cast, mostly of Emerging Artists.
With misplaced horse heads, violin case guns and as many mafia gags as you could hope for, Scottish Opera’s Merry Widow may not be subtle but it looks and sounds gorgeous.
Janáček’s drama of infanticide is delivered at full power by Nina Stemme and Agneta Eichenholz in Annilese Miskimmon’s well-crafted production. The orchestra, however, are just too loud.
Eisenstein is a Tory Minister out of his depth on a European mission. Mischief and fun galore in RCS’s well sung Die Fledermaus, a fitting tribute to Timothy Dean as he stands down as Head of Opera.
Music, singing and movement blend together in a powerfully moving double bill of French Tragedy, Les Malheurs d’Orphée and Le Vin herbé at the Royal Conservatoire of Scotland.
Katy sings soprano, plays violin, cycles about and listens to music.
She's a graduate of both Bristol and City Universities and has been
known to write libretti.
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