Choreographer Richard Wherlock’s new ballet pays tribute to his Jewish roots, but also marks a first collaboration with composer Olivier Truan, whose contemporary klezmer music springs from the same tradition.
For his new production of Donizetti’s Lucia di Lammermoor in Basel, director Olivier Py underscored an emotive kaleidoscope of events with unparalleled creativity and imagination.
Debussy’s Pelléas et Mélisande emerges from an almost transcendent realm and creates a languorous atmosphere, even if it leaves some questions unanswered and realities unexplored.
Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.
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