Rosanna Gamson’s Layla Means Night, a riff on the Persian fable of Scheherazade, draws audiences into what program notes describe as “an immersive tour through a world of ritual violence and exquisite pleasure.” We were told to wear sensible shoes.
Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire(Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.
An excellent extension to Akram Khan’s growing repertoire of contemporary ballet, Lady Macbeth, his first creation for Royal Danish Ballet, brought out powerful performances from the entire cast.
A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.
Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.
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