The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.
Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.
From Haydn and Beethoven to Weinberg and Rachmaninov, Marc-André Hamelin reveals the piano sonata as a form of breadth, flexibility and expressive power.
Hugo
Shirley is a Berlin-based writer and musicologist. He has written
widely as a critic in the UK, including for The Spectator, the Financial
Times and Daily Telegraph, and has held editorial posts at both Opera
and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and
has a PhD in musicology from King's College London, where his thesis
focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.
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