Clarinet contrasts with Emma Johnson at the Three Choirs Festival

By Katherine Dixson, 26 July 2012

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Reviewed at Shirehall, Hereford on 24 July 2012

Mendelssohn, Clarinet Sonata in E flat major

Schumann, Fantasiestücke, Op.73

Ireland, Fantasy Sonata for Clarinet and Piano

Poulenc, Clarinet Sonata in B flat major, FP 184

Stravinsky, 3 Pieces for clarinet solo

Bliss, Pastoral for Clarinet and Piano

Horovitz, Two Majorcan Pieces

Emma Johnson, Clarinet

John Lenehan, Piano

One last time: Tasmin Little bids farewell to the Southbank Centre

Stephen Pritchard, 22nd October

Little had planned to quit in August, but Covid-19 threw all her concert plans into disarray, but last night took a significant step towards the exit, bidding farewell to London’s Southbank Centre.

*****

Masters of the Queens Music at the Sam Wanamaker Playhouse

David Fay, 27th October

Judith Weir's music didn't have the pride of place it deserved at this miscellaneous collection of music from past and present Masters of the Queen's Music, presented by the Park Lane Group at the Sam Wanamaker Playhouse.

**111

Prom 3: An inflated Prom to celebrate BBC Young Musicians

Olivia Bell, 15th July

With a smaller programme and a humbler premise, the stars of the show – those young, immensely talented performers – could have shone even brighter

***11

Andris Nelsons and the BSO arrive in New York, with baggage in tow

Cameron Kelsall, 9th April

In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy and makes some thrilling music.

***11

Nelson Goerner shines with the CBSO and Rachmaninov's Rhapsody

Robert Gainer, 9th April

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

****1

Karabits and Szeps-Znaider carouse with the LPO

Christopher Woodley, 8th April

The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.

****1

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Katherine Dixson

Katherine is an enthusiastic choral singer. Becoming chairman of her choir proved the catalyst for writing a memoir into which she crammed musical experiences galore, including her own belated musical education and encounters with professional musicians. Combining music, writing and travel is Katherine’s idea of bliss. Her website is here.