A traditional overture–concerto–symphony programme at Klosters Music proves anything but stale in dramatic performances by the Munich Chamber Orchestra.
Like all great quartets, each member contributed their individual voice but, in the combination of all four, they created something extraordinary and compelling.
Concluding Gardiner's Schumann cycle, it was a memorable concert, with a memorable Spring Symphony and a musical Manfred Overture. The Beethoven first piano concerto proved an unlikely hero.
Stanley Fefferman is Professor Emeritus at York University, Toronto. He is active in classical, new music, and jazz circles as a writer and accredited performance photographer. His work is archived on Canadian sites The Live Music Report.com, Showtimemagazine.ca, and OpusOneReview.com. His website is here.
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