Belén Maya and Manuel Liñán's Trasmín

By Rosamaria Kostic Cisneros, 13 March 2014

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Reviewed at Sadler's Wells Theatre, London on 10 March 2014

Trasmin

Belén Maya Company

Manuel Liñán, Dancer

The Trocks at Sadler’s Wells: uproariously entertaining

Graham Watts, 5th May

A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.

****1

Parsons Dance brings the fun to modern at the Joyce Theater

Ivy Lin, 1st May

Six works, including two world premieres, made up the latest program from Parsons Dance. Thoroughly joyful, the audience were sent home buzzing.

*****

The Dutch National Ballet’s Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

*****

BLUSH makes new meaning at New York’s 92nd St Y

Carla Escoda, 30th April

17 years after its premiere, Andrea Miller’s BLUSH, set on her company, GALLIM, returned to entrance and perplex in equal measure at New York’s 92nd St Y.

***11

A triumphant Romeo and Juliet from Philadelphia Ballet

Leigh Donlan, 30th April

Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.

****1

Ballet Nights 011 – Convergence a winning formula at Cadogan Hall

Deborah Weiss, 29th April

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

****1

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Rosamaria Kostic Cisneros

Rosamaria Kostic Cisneros graduated from the UW-Madison Dance Program and went on to complete her Master's in Dance History and Criticism. She is a professional dancer,choreographer and qualified teacher, has lived in various parts of the world and seen lots of work and believes that dance and music are great equalizers.

Dancing upon Barren Lands: Belén Maya and Manuel Liñán's Trasmín