Magnificent dancing in Trisha Brown classics from the 1980s and in a new work by her mentee, Lee Serle, transcend less than compelling stagecraft at New York’s Joyce Theater.
At a time when small dance companies in the United States appear to be perched on a live volcano, the tiny, distinguished New York Theatre Ballet recalls the revolutionary postmoderns.
Rachel Rizzuto received her BFA in dance performance and choreography from the University of Southern Mississippi. She is currently an editor for Dance Teacher magazine, and she is a founding member of modern dance company Mari Meade Dance Collective.
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