The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.
In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy and makes some thrilling music.
The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.
Beethoven's Christus am Ölberge is paired with Haydn's Die sieben letzten Worte, a journey from agony to transcendence in which the agony proves the more honest companion.
From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.
Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.
Flying the flag for all things classical, jazz and a bit experimental, Kay is an amateur pianist and musical scribbler. Kay has her Masters in Culture, Policy and Management from City University, London, and currently works as a fundraiser for the performing arts in New York City.
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