On the eve of Good Friday, Buxtehude’s Membra Jesu nostri unfold in Hamburg as a luminous act of inner devotion, turning the vast Elbphilharmonie into a space of sacred stillness.
Rachel Rizzuto reviews Anne Teresa De Keersmaeker and Boris Charmatz's duet, Partita 2, with violinist Amandine Beyer as part of Lincoln Center's White Light Festival.
Gli Incogniti und Voces Suaves finden ihren flüssig-natürlichen Mittelweg, mit Jesu Liebe herrlich berührend in die Karwoche einzutreten und für fortgesetzte Begeisterung beim Thüringer Bachfestival zu sorgen.
Wie es das Paradies so an sich hat, sollte das Konzert am liebsten ewig gehen; die Begierde vergrößert sich, Beyers und Gli Incognitis Fähigkeiten wieder rasch live nah zu sein.
Originally from the USA, Kristen Huebner now bases her musical life in the Netherlands and Europe. She currently tours with the Amsterdam Baroque Orchestra & Choir under the direction of Ton Koopman and has collaborated alongside members of the Orchestra of the Eighteenth Century under Frans Brüggen. Her work with the Paris-based Ensemble Diderot, has led to numerous appearances at festivals such as Musikfest Erzgebirge and the Bach Biennale Weimar. Kristen’s research on Empfindsamkeit in the chamber music of C.P.E. Bach has been adapted into an article for Music & Practice, published in 2015. Kristen joined the teaching team at the 2022 Zomer Academie Zutphen, where she led the traverso masterclass.
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