Uzunstein Chamber Orchestra: Confused and Confounding

By Simon Hukin, 25 May 2015

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Reviewed at National Portrait Gallery, Canberra, Canberra on 24 May 2015

Jeleskovic, Once, Our Comrades

Jeleskovic, Elegy: Memento

Jeleskovic, Silent Valley

Williams, Film music from Schindler's List

Franck, Panis Angelicus

Uzunstein Chamber Orchestra

Giga Jeleskovic, Director

Stephen Lalor

Harry Werlemann-Godfrey, Cello

Sublimely ridiculous: Grétry’s L’Amant jaloux

David Larkin, 6th December

Another ancient hit revived and delivered with panache by Sydney-based Pinchgut Opera: Gretry's L'Amant jaloux (1778) proved it still could raise laughs, aided by a superb cast.

****1

Anna Geniushene impresses Singapore in early Chopin and Brahms

Chang Tou Liang, 14th June

Anna Geniushene makes a welcome Singapore return, demonstrating that knows exactly what she is all about.

****1

Lise Davidsen's exquisite Schubert Lieder at the Aldeburgh Festival

Eleanor Knight, 13th June

The Norwegian soprano impresses in a Lieder programme that proves the highlight of the Aldeburgh Festival’s opening weekend.

*****

Andrey Boreyko and Maximilian Hornung make Sydney Symphony debuts

Zoltán Szabó, 12th June

An unusual combination of 20th-century Russian masterworks herald debut appearances by both conductor and soloist in Sydney.

****1

Branca’s Hallucination City: 100 electric guitars at Lincoln Center

Kurt Gottschalk, 12th June

The plugged-in six-string is the sound of New York City and Branca’s Symphony no. 13 (Hallucination City) for 100 guitars and drums is revived at Lincoln Center.

*****

Beethoven 9 ends the RSNO’s season with blockbuster flair

Simon Thompson, 12th June

The wider RSNO family give their all in a blockbuster Beethoven Ninth Symphony to end their season.

*****

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Simon Hukin

Simon is a professional brass musician. He studied performance at the Australian National University under Charles MacInnes and Scott Kinmont, graduating just before its untimely demise. He has played with bands and orchestras around Australia and now divides his time between music and politics in the nation’s capital. He is particularly interested in working with leaders on a territory and national level to build support for the arts. He has written for several different publications as a freelance arts critic over the last seven years.