New Century Baroque in the footsteps of the Grand Tour

By Anthony Hart, 31 January 2013

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Reviewed at Jesuits' Church, Valletta on 18 January 2013

Bach, Brandenburg Concerto no. 2 in F major, BWV1047

Fux, Suite in C major

Telemann, Orchestral Suite in G major "Burlesque de Quixotte", TWV 55:G10

Corelli, Concerto grosso in D major, Op.6 no.4

Muffat, Armonico Tributo: Sonata no. 5 in G major

Vella, Sonata

New Century Baroque

Marianne Crebassa: potent and versatile at Leeds Song

Richard Wilcocks, 12th April

Accompanied by Joseph Middleton, Marianne Crebassa performs an exquisite recital of Debussy, Mahler, Mompou and Ravel.

*****

Eroica: Riccardo Minasi and the WASO

Sandra Bowdler, 11th April

Guest conductor Riccardo Minasi leads the West Australian Symphony Orchestra with a program of old favourites, with outstanding contribution from trumpeter Jenna Smith

***11

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Artistry at full throttle: Rafael Payare and the Pittsburgh Symphony

Sam Jacobson, 10th April

Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.

*****

A cerebral bacchanalia: Young's bold, brainy Messiaen at Disney Hall

Néstor Castiglione, 10th April

Simone Young's take on Messiaen's Turangalîla with the Los Angeles Philharmonic proves a night to remember.

*****

Chicago Symphony Orchestra music on death: whimper then bang

Graham Meyer, 9th April

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

***11

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Anthony Hart

Anthony Hart, born in the UK, now lives in Malta. He was presented papers for Società Italiana di Musicologia and the International Musicological Society. He a Licentiate of the London College of Music. He has had papers published in Early Music, Studi Musicali and Fonti Musicali Italiane.