Lombards but no crusade: Verdi's I Lombardi at UCOpera

At the Theatre Royal Stratford East, the student group made a convincing case for the French version of this gripping work.

Weather forecasters would have a meteorological field day with Rimsky-Korsakov’s opera The Snow Maiden. Freezing temperatures have prevailed for sixteen years, and the immediate outlook in the Prologue is for further isolated snow showers, before a warm front eventually sweeps in from the south during Act IV. 

One of the consistent joys of seeing a performance by the Royal Academy of Music's opera school is that they bring in world class conductors. At last night's La vera costanza, the orchestra, conducted by Trevor Pinnock, was exceptional.

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.