The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.
From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.
Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.
Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.
Laurence was born and grew up in Los Angeles; his father was a writer and his mother a teacher. He trained as a cellist, a librarian and a critic. His company was a major supplier to the music and recordings collections of the Library of Congress, Bibliothèque Nationale, British Library, Stanford, Harvard and Yale. He introduced French Harmonia Mundi, Hyperion, Chandos and Naxos to the North American market. Laurence believes that writing about music unleashes the potential of the classical music industry. He writes for the Huffington Post, Gramophone, Bachtrack, Strings, Audiophile Audition, and the Southern California Early Music Society.
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