Listening to arrangements of Bach is like Dostoevsky’s challenge not to think about polar bears. It’s best to put the Bach out of your thoughts, even if “the cursed thing will come to mind every minute.”
Brinton Averil Smith, the Symphony's principal cello, approached Haydn's D major Concerto with bold courage and passionate, if inconsistently manufactured, strokes.
In a failed mash-up, the Houston Symphony performed only the first movement (the three-minute “Prelude: Maestoso”) of Ives’ Fourth Symphony and continued attacca into the 80 minutes of Mahler's "Resurrection."
Phillip Nones studied piano from age six, also playing percussion in educational and civic groups before moving to a rural area of the USA in 1990, where performance opportunities were few. Recently he has started performing again, participating in “side-by-side” orchestra performances and playing percussion in the World Doctors' Orchestra. His personal collection of music includes over 5,000 classical albums in all formats (CDs, LPs, 78s), plus downloads. In his professional life, he heads up a marketing communications firm in the state of Maryland. He blogs about the French composer Florent Schmitt here.
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