Barbara Hannigan tackles Mahler’s Fourth in Gothenburg

By Edward Sava-Segal, 02 October 2020

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Reviewed at Gothenburg Concert Hall, Gothenburg on 1 October 2020

Haydn, Symphony no. 44 in E minor "Mourning" (Trauersymphonie)

Mahler, Symphony no. 4 in G major

Gothenburg Symphony Orchestra

Barbara Hannigan, Soprano, Conductor

Memorable Symphone fantastique, austere Sibelius from the GSO

David Karlin, 25th November

The precise control of Santu-Matthias Rouvali yields a reference Symphonie fantastique from the Gothenburg Symphony Orchestra; the Sibelius Violin Concerto is less convincing.

****1

Hannigan balances light and dark in Gothenburg

Cameron Kelsall, 17th September

The program prominently featured compositions by Canadian composer Claude Vivier alongside works of Haydn and Busoni.

****1

Pandemic programming: Shostakovich and Sibelius in Gothenburg

Roy Westbrook, 17th September

Saraste’s mastery in Sibelius is hardly a surprise, and neither is the calibre of the orchestra Sibelius himself often visited to conduct.

****1

Peter Mattei's moving Mahler in Gothenburg season opener

Timothy Robson, 10th September

Baritone Peter Mattei brought both musical sensitivity as well as almost Berg-ian drama to Mahler’s Lieder eines fahrenden Gesellen, ably supported by Manfred Honeck and the Gothenburg Symphony Orchestra, in a successful livestream concert.

***11

Ravel’s playful sound worlds with Alice Sara Ott

David Renke, 20th February

In which Santtu-Matias Rouvali and the Gothenburg Symphony seek out a contrast with the dark sound colours of Sibelius.

****1

Rouvali brings Kullervo to Gothenburg

David Karlin, 14th September

Sibelius' Kalevala-inspired epic is given the full treatment by the Orphei Drängar choir and the Gothenburg Symphony in Santtu-Matias Rouvali's inaugural concert as Chief Conductor of the Gothenburg Symphony.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.