A concert celebrating the 250th anniversary of the USA saw Liverpool audiences treated to a sumptuous Copland as well as a symphony as well as a barn-storming performance of Gershwin and Duke Ellington, performed by Frank Dupree who was making his debut with the RLPO.
Two technical mishaps punctuate the evening, but Hilary Hahn maintains poise throughout a French programme crowned by a finely judged, deeply expressive performance of Fauré.
From Berg’s crystalline intimacy to Dionysian Mahler, Teodor Currentzis and Utopia defy orchestral tradition with standing musicians, spatial acoustics and an emotional intensity that breathes new life into the concert life.
Prerecorded acoustic guitar, soft beats and more piano accompany video of jittery yellow circles and masses of illegible text in a concert that feels both meditative and too much to take in
Kurt Gottschalk is a journalist and author based in New York City. His writings on contemporary and classical music, jazz and improvisation have been published in outlets throughout Europe and America and he has two volumes of short fiction to his name. He produced and hosted the Miniature Minotaurs radio programme on WFMU and currently hosts Afternoon New Music on WKCR.
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