Schubert shines in Berlin: Joana Mallwitz at the Konzerthaus

By Roy Westbrook, 29 November 2020

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“there is no point trying to give Schubert’s Ninth a slow movement when the composer didn’t”

Reviewed at Konzerthaus: Großer Saal, Berlin on 28 November 2020

Schubert, Symphony no. 9 in C major, "The Great", D.944

Konzerthausorchester Berlin

Joana Mallwitz, Conductor

Music against Death: Joana Mallwitz conducts Nono and Mahler in Berlin

David Grundy, 14th September

Joana Mallwitz pairs rare Luigi Nono with Mahler's Fourth Symphony at the Konzerthausorchester's Musikfest Berlin programme.

****1

Earth, wind and fire: Valčuha and Apkalna at the Konzerthaus Berlin

Elena Luporini, 5th July

For the end of the season, Berlin's Konzerthaus unleashes the fury of the elements with a concert featuring Bernd Richard Deutsch's Organ Concerto Okeanos, together with works by Sibelius and Shostakovich.

*****

Batons and broomsticks with Joana Mallwitz in Berlin

Elena Luporini, 22nd February

A folk-centred programme delights Berlin's Konzerthaus under the conducting of Joana Mallwitz – with the special participation of soloist Elisabeth Leonskaja.

****1

The continuation of beautiful friendships in Berlin

Elena Luporini, 14th October

At Berlin's Konzerthaus, Chief Conductor Christoph Eschenbach leads the premiere of Christian Mason's orchestral work An Ocean of Years and reunites with American pianist Tzimon Barto.

****1

Transparent, alert Mozart from Vikingur Ólafsson in Berlin

Zenaida des Aubris, 10th September

Pablo Heras-Casado a programme featuring a classic combination of Mozart and Schumann.

****1

Dvořák’s Spectre’s Bride exhumed in Berlin

Hugo Shirley, 27th October

The orchestral writing proves to be the main point of interest in a rousing performance of Dvořák's rare dramatic cantata.

***11

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.