Peter Schneider takes the Valkyries on a wild ride in Vienna

By Jonathan Sutherland, 23 May 2017

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Reviewed at Wiener Staatsoper, Vienna on 21 May 2017

Wagner, Die Walküre

Vienna State Opera

Peter Schneider, Conductor

Sven-Eric Bechtolf, Director

Rolf Glittenberg, Set Designer

Marianne Glittenberg, Costume Designer

Robert Dean Smith, Siegmund

Jongmin Park, Hunding

Thomas Johannes Mayer, Wotan

Camilla Nylund, Sieglinde

Petra Lang, Brünnhilde

Mihoko Fujimura, Fricka

Concert Association Vienna State Opera Chorus

Orchestra of the Vienna State Opera

Tamás Varga, Cello

Daniel Ottensamer, Clarinet

fettFILM, Video

At half mast: Simon Boccanegra revived in Vienna

Orsolya Gyárfás, 19th April

Marco Armiliato's conducting thrills and Federica Lombardi's radiant Amelia stands out in the Wiener Staatsoper's latest revival of Simon Boccanegra.

***11

Anna Netrebko shines in Vienna’s timeless Tosca

Laura Servidei, 18th April

In a world where opera productions often stray into the abstract, the Wiener Staatsoper’s Tosca offers a refreshing return to tradition – and Anna Netrebko delivers a splendid performance.

****1

Tragedy in the mirror: Minghella’s Madama Butterfly in Vienna

Laura Servidei, 14th March

Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal.

****1

Too much and too little: Jan Lauwers’ restless Clemenza in Vienna

Chanda VanderHart, 12th March

The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own.

***11

An Idomeneo shattered to pieces at the Wiener Staatsoper

Orsolya Gyárfás, 23rd January

A committed cast struggles to lend a spark of life to Kasper Holten's static staging of Mozart's first mature opera.

**111

A holiday Bohème: Puccini, Zeffirelli and tradition in Vienna

Laura Servidei, 21st December

Giacomo Sagripanti conducts a luxuriant reading with a cast anchored by Juan Diego Flórez and Nicole Car, in Zeffirelli’s familiar, generous, unabashedly emotional production.

***11

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.