Poulenc's Babar and Prokofiev's Peter and the Wolf charm all ages at the Konzerthaus

Director Nikolaus Habjan took Oberon’s inherent miscellany and ran with it, straight into a retro-futurism aesthetic.

To those unfamiliar with Victor Ullman’s Der Kaiser von Atlantis, oder Die Tod-Verweigerung, the story of the work’s inception is almost as gripping as the libretto itself. 

A very creative reading – both scenically and musically – of Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel for Theater an der Wien's final production of the season at the Kammeroper.

Bogotá has plenty of superb artists in its mammoth Mozart-fest, but there can be no finer exponents of Viennese style than the Vienna Chamber Orchestra. 

A father having marriage plans for his daughter of which the latter does not approve may not be the most original plot, but it has inspired operas throughout the centuries, with well-known examples being The Bartered Bride and Arabella.

Christian Thausing liefert mit Das Spitzentuch der Königin von Johann Strauss II am frisch renovierten Theater an der Wien eine etwas lustlose Neuinszenierung ab, die leider auch musikalisch keine echten Highlights bietet.