A confidence-building exercise: the Tanglewood fellows in Die Walküre

By Edward Sava-Segal, 30 July 2019

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Reviewed at Tanglewood, Koussevitzky Music Shed, Lenox on 28 July 2019

Wagner, Die Walküre (Acts II and III)

Andris Nelsons, Conductor

Simon O'Neill, Siegmund

Franz-Josef Selig, Hunding

James Rutherford, Wotan

Amber Wagner, Sieglinde

Christine Goerke, Brünnhilde

Stephanie Blythe, Fricka

Tanglewood Music Center Orchestra

Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen

Mengguang Huang, 26th April

Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom.

**111

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

Lepage’s Bluebeard and Erwartung pairing remains compelling theatre

John Gilks, 25th April

Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.

*****

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Trojan’s Carousel: a magical night of dreams come true in Prague

Frank Kuznik, 23rd April

A vintage opera at the National Theatre offers charming adventures for children and musical sophistication for adults.

*****

A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia

Cameron Kelsall, 22nd April

A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.

**111

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.