An exceptional chamber music afternoon

By Edward Sava-Segal, 05 April 2017

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Reviewed at Carnegie Hall: Zankel, New York City on 2 April 2017

Brahms, Clarinet Sonata no. 1 in F minor, Op.120 no.1

Berg, Four pieces for clarinet and piano, Op.5

Widmann, Fantasy for solo clarinet

Schubert, Impromptu no. 1 in C minor, D.899

Widmann, Idyll und Abgrund – Six Schubert Reminiscences

Schumann, Fantasiestücke

Jörg Widmann, Clarinet

Dame Mitsuko Uchida, Piano

Peerless Beethoven from Dame Mitsuko Uchida at Wigmore Hall

Vishnu Bachani, 12th October

Dame Mitsuko Uchida brings forth with crystal clarity Beethoven's masterful counterpoint and harmony in a recital of his last three piano sonatas.

****1

Uchida’s Beethoven meets Shostakovich’s farewell at Carnegie Hall

Edward Sava-Segal, 23rd April

Two incongruent journeys conclude as Dame Mitsuko Uchida and the Boston Symphony meet in New York.

****1

Delicacy at the cost of spark: Mitsuko Uchida with the Mahler CO

Mengguang Huang, 26th January

While Uchida’s performances showcase remarkable precision and refinement, they occasionally feel restrained, leaving room to explore the improvisatory charm that make Mozart’s music so compelling.

***11

Philadelphia Orchestra delivers memorable Carnegie Hall finale

Susan Stempleski, 31st May

In their final Carnegie Hall appearance of the season, the Philadelphians offered a superbly integrated program bookending a Valerie Coleman premiere with groundbreaking pieces by Ravel and Debussy.

****1

Magic and solemnity: Uchida and the Mahler Chamber Orchestra

Susan Stempleski, 28th March

Mitsuko Uchida and the MCO continue their exploration of Mozart’s piano concertos and the players deliver a polished New York premiere of Jörg Widmann’s Chorale Quartet.

****1

The Philharmonia at home with Beethoven, at sea with Sibelius

David Karlin, 25th January

A concert of two halves: the Philharmonia and Dame Mitsuko Uchida light up Beethoven with the essence of Classical style, but the orchestra struggles in Sibelius’ Lemminkäinen Suite.

***11

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Exceptional chamber music afternoon with Uchida and Widmann at Zankel Hall