Alexander Melnikov and Andreas Staier's sensitive and insightful performances, combined with the fortepiano's freshness and added edge, make for a special evening of Schubert.
In the first half of the 19th century, the piano was still very much a developing instrument, and the composers were often pushing its limits both mechanically and sonically.
La confiance du chef a hissé l’Orchestre Français des Jeunes vers l’excellence dans un programme entièrement consacré à Mozart, suivant un discours musical parfaitement abouti.
In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy and makes some thrilling music.
David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.
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