The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.
Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.
From Haydn and Beethoven to Weinberg and Rachmaninov, Marc-André Hamelin reveals the piano sonata as a form of breadth, flexibility and expressive power.
A postgraduate student at the Guildhall School of Music and Drama specialising in early music, Emily Owen is a freelance soprano, singing with numerous ensembles. She deputises in churches around London and also manages the newly formed London Youth Choir. Her website is here.
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