The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.
Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?
A postgraduate student at the Guildhall School of Music and Drama specialising in early music, Emily Owen is a freelance soprano, singing with numerous ensembles. She deputises in churches around London and also manages the newly formed London Youth Choir. Her website is here.
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