Joanna MacGregor and the BPO pull off an excellent performance of Shostakovich's Tenth, alongside William Kentridge's evocative film, Oh to Believe in Another World.
William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.
William Kentridge's film, a patchwork collage depicting Shostakovich's complicated relationship with Stalin, is played as film score to his Tenth Symphony at the Southbank's genre-crossing Multitudes festival.
Shostakovich’s Tenth Symphony is a massive and aptly complicated work to which William Kentridge’s film adds contextual layers of stop-motion animation and vintage footage in a surreal nightmare of tyranny.
Despite theatrical drawbacks, this Wozzeck is heartily recommended due to Yannick Nézet-Séguin's staggering understanding of all facets of Berg's score.
Benedetta Saglietti hold a degree in music history. She is the author of Beethoven, ritratti e immagini: uno studio sull’iconografia (Beethoven, Portraits and Images: An Iconographical Study) and a contributor of program notes for musical institutions. Her book reviews appeared in scholarly journals such as Studi Filosofici, Síneris, Revista de Musicología, Ad Parnassum. Selected articles and essays are here.
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