The Royal College of Music offers an enviable nurturing ground for the next generation of operatic talent. Audrey Hyland, head of the Vocal and Opera faculty, talks about what makes the department special.
The Royal Opera’s Principal Guest Conductor explains her passion for opera, her journey into the pit and how good conductors share the attributes of football managers.
The Japanese mezzo soprano is returning to the New National Theatre, Tokyo for her role debut in Massenet’s Werther. We talk about her love for Rossini, and expansions into later Romantic opera.
The trailblaizing playwright makes a return to the operatic stage to direct a new production of Strauss’ Salome with Regents Opera – held in an old boxing venue, an apt location given the opera’s bloody subject...
With significant works by Louise Farrenc, Augusta Holmès and Clémence de Grandval – including two grand operas – Palazzetto Bru Zane is pioneering rediscovery of French music of the 19th century.
We sit down with two of the opera world’s leading figures, and masterminds of Brussels’ La Monnaie (De Munt) – how do they balance the competing challenges and thrills of running an opera house?
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.
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