Fact file
Address | Brighton South-East BN1 1UG United Kingdom |
Google maps | 50° 49' 24.497" N 0° 8' 18.170" W |
Upcoming eventsSee more...
BrightonTchaikovsky’s Sixth
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Verdi, Bruch, Tchaikovsky
London Philharmonic Orchestra; Pablo González; Alena Baeva
BrightonLeia Zhu plays Prokofiev
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Ravel, Prokofiev, Bizet
London Philharmonic Orchestra; Nodoka Okisawa; Leia Zhu
BrightonA Little Bit in Love
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Sondheim, Bernstein, Porter
London Philharmonic Orchestra; Wilson Ng; Danielle de Niese
BrightonThe Firebird
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Mendelssohn, Mozart, Debussy, Stravinsky
London Philharmonic Orchestra; Dionysis Grammenos; Lukas Sternath
Latest reviewsSee more...
A golden Turangalîla to celebrate the Brighton Philharmonic’s 100th
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Joanna MacGregor and the Brighton Philharmonic Orchestra bring their 100th season to a triumphant conclusion at the Brighton Dome.
Energetic Scottish Symphony lifts a weighty evening with the LPO
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Ponomarchuk and the LPO raise the spirits in Felix Mendelssohn's Scottish Symphony after an underwhelming first half at the Brighton Dome.
In Brighton, Tchaikovsky's Fifth lifts Gergely Madaras' LPO debut
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Madaras and the LPO rise above the routine in Tchaikovsky's Fifth Symphony, with an engaging performance of the Rococo Variations from Zlatomir Fung.
Singing melodies and rapid-fire showmanship from Alexei Grynyuk
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Delicacy and effortlessly flowing melodies in Mendelssohn and Schubert, with dazzling extremes and showmanship in Liszt at the Brighton Festival.
Les Talens Lyriques come to Brighton Festival
Energetic playing, clarity and precision from Christophe Rousset and Les Talens Lyriques in three dramatic pieces by Monteverdi, but some weighty singing obscures the detail.
Commanding LPO debut from Rory Macdonald
Intelligent and arresting Dvořák, warm and confident Humperdinck from Rory Macdonald's debut with the LPO, marred only by disappointing Chopin.
Ultima Vez's Talk to the Demon at Brighton Festival
Brighton Festival hosts the UK premiere of Talk to the Demon, a work full of uncomfortable questions, powerful performances and breathtaking dancing. Choreographed on Ultima Vez by Belgian choreographer Wim Vandekeybus.
Blazing Bruckner in Brighton
After the overture, whose two movements, fast and slow, were adequately dispatched by a suitably small orchestra, the audience mistook the arrival of an orchestral horn player as that of the soloist himself, and burst into applause, which turned to laughter as the mistake became obvious.