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Wiener Staatsoper

'Can there be a more potent opera orchestra than the Vienna State Opera’s? I doubt it. It’s the low instruments that make the biggest impact – cellos, basses, tuba, trombones, contrabassoons... When the orchestra was in full cry at the points where the “higher powers” show their hand, the power was overwhelming. But the high instruments play their full part, not least with the high woodwind wail of the falcon’s cry. Throughout, Thielemann drew from his players an extraordinary richness of colour palette, providing the best possible demonstration of the compositional virtuosity in this score.' 

David Karlin, May 2019, Bachtrack

Fact file
Address1010 Vienna
ContainsGustav Mahler-Saal
Google maps48° 12' 11.945" N 16° 22' 9.119" E
Upcoming eventsSee more...


Tchaikovsky: Onegin
John Cranko; Vienna State Ballet; Ermanno Florio; Elisabeth Dalton; Steen Bjarke

ViennaJewelsNew production

Various: Jewels
George Balanchine; Vienna State Ballet; Peter Harvey; Barbara Karinska; Orchestra of the Vienna State Opera


Verdi: Otello
Jonathan Darlington; Adrian Noble; Vienna State Opera; Dick Bird; Stephen Gould; Krassimira Stoyanova


Dvořák: Rusalka
Tomáš Hanus; Sven-Eric Bechtolf; Vienna State Opera; Rolf Glittenberg; Marianne Glittenberg; Olga Bezsmertna; Piotr Beczała

ViennaFidelio Urfassung (Leonore)New production

Beethoven: Fidelio
Tomáš Netopil; Amélie Niermeyer; Vienna State Opera; Alexander Müller-Elmau; Annelies Vanlaere; Benjamin Bruns; Thomas Johannes Mayer
Latest reviewsSee more...

Hero or villain? Don Giovanni at the Wiener Staatsoper

Ludovic Tézier (Don Giovanni) and Andrea Carroll (Zerlina) © Michael Pöhn | Wiener Staatsoper GmbH
The Don is dark and light, the production somewhere in between, with strong singing and musical direction but stodgy staging. 
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Defiant Domingo's Macbeth wins them over at the Staatsoper

Plácido Domingo (Macbeth) © Michael Pöhn | Wiener Staatsoper GmbH
At 78, Domingo rages against the ravages of time, and – certainly in this production – shows the next generation a thing or two about stagecraft.
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A spirited Midsummer Night’s Dream at the Wiener Staatsoper

Lawrence Zazzo (Oberon) and Erin Morley (Tytania) © Michael Pöhn | Wiener Staatsoper GmbH
Countertenor Lawrence Zazzo is more than at home in the role of Oberon, and possesses a vocal quality ideal for the scheming king of the fairies, simultaneously eerie and seductive.
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Mistrust, rage and colonialism: Otello at the Staatsoper

Aleksandrs Antonenko (Otello) © Wiener Staatsoper GmbH | Michael Pöhn
During the “Salce” and “Ave Maria” in Act Four Bezsmertna turned this to magical effect, thinning out and floating her shimmering soprano into gossamer threads.
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Flórez makes a role debut in a stylish production of Manon in Vienna

Nino Machaidze (Manon Lescaut) and Juan Diego Flórez (Chevalier Des Grieux) © Wiener Staatsoper GmbH | Michael Pöhn
Juan Diego Flórez was impressive in his first portrayal of a lovesick soldier/priest in Manon, with Nino Machaidze's accomplished heroine. Andrei Serban's modern and thoughtful production was still fresh and arresting.
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Dominique Meyer © Wiener Staatsoper | Michael Poehn

Dominique Meyer says farewell to the Vienna State Opera

54 operas, including world premieres of Orlando, by Olga Neuwirth, and Persinette by Albin Fries. Dominique Meyer tells us all about his last season as Director of the Vienna State Opera.